One of my great frustrations with pictures of my projects is with how poorly the colors are reproduced. This was true on my old cell phone, on my digital camera (which also developed other problems) and on my new cell phone. Are there basic digital cameras that are good with color? If you know of one let me know.
So, first off, a finished project. This is Fay, made in Handmaiden's Sea Silk yarn.
Or rather, it is a detail of Fay, still on the block board. Here's another picture. I mean, really, does this one look like it was taken outdoors in San Antonio?
Anyway, this yarn is wonderful. It is mostly silk, with some "sea cell," which as I learned in that spinning class is a rayon with a small amount of sea weed cellulose in it. I love knitting with this yarn, and it is very wearable in San Antonio. It is, however, ridiculously expensive. So when I got an email announcing that the Yarn Barn of San Antonio was having a sale this weekend to celebrate 40 years of being in business, and that they were giving a 40% discount, I ran over there during my lunch hour on Friday. And while the stock was pretty low, I did find this: a skein of Handmaiden Sea Silk, in Periwinkle. At 40% off. A wonderful gift to myself. And, my decades-long addiction to teal notwithstanding, I have been gravitating toward purples for a while now.
Excited by having started and finished Fay in a matter of weeks, I immediately jumped into another small knitting project, this time the very popular Wingspan. Here are some examples. People have made it with yarn that has long color changes, or have changed the yarn itself for each triangle. I decided to use some yarn that I had had in the stash for a couple of years. It is King, by Noro. This shawl/scarf goes very quickly and is a lot of fun to knit, but I may start over. The fabric I am producing is very open, which is fine for use here in San Antonio. The problem is that the shape of the triangle is made with short rows, the author suggests not wrapping the stitch at the turn, and I don't like how the line that forms looks. See?
Some folks are using yarn that blooms after it is washed, and the holes are not noticeable. Others are adding yarn overs to make it a lacy line. Ravelry has lots of comments on how people dealt with this, so I am going to do some investigation today and then decide about starting over.
And oh, while I was at the Yarn Barn sale, I found two more balls of Noro King in another color. Another little gift for myself at a great price. Another very dark picture taken outdoors in the morning in San Antonio. Sigh.
There are lots of great scarf patterns like Fay out there these days. They start at one end of the scarf/shawl, work across the back increasing on one side to make a crescent or triangle shape, and then decrease back down to the other end of the scarf. It's a nice way to knit a scarf or shawl. It means you never have to have the entire edge of the shawl on the needle at once, and it also means that the color variations in the yarn run the short way -- that is, from the neck down, instead of from end to end. A nice variation.
A final gift to myself was two skeins of Louet's Euroflax linen yarn. It is a lightweight all linen yarn that I have been looking at for years. Linen of course is a perfect fabric for south Texas, but knitting with it ... not so great. It has no elasticity at all, and tends to feel like twine. Until you wash it. When you wash it, it softens tremendously. This stuff is also very expensive, but when I saw it on sale, I decided to buy two skeins, for yet another scarf. Believe it or not, the true color is a light sea foam green (back to my old color choices!). And I think I am going to tie the skein in a million places and wash it BEFORE I knit with it, to soften it up.
Again, that picture was taken outdoors on a white background! If anyone has a camera recommendation, or advice on getting accurate color, let me know.


